Perfectly nestled in the Guggenheim inspired main staircase is our favorite ‘art moment’ of the whole project — this sumptuous bronze pumpkin by the global sensation Yayoi Kusama. We love how Kusama’s iconic polka dots mesh with the organic form of this sculpture, connecting the foyer of this home with the natural world just outside the front door.

California multimedia artist Doug Aitken brings an unexpected element of fun to this bold library with his signature medium, the lightbox.

This sophisticated and minimal work on paper by American street artist and social activist Keith Haring, sings against the tonality of Nicole Hollis’ custom walls of the dining room.

Given that this collection began with a love of Minimalism, it was very important to acquire a powerful work by the progenitor of the movement, American artist Donald Judd. This iconic red “stack” work is emblematic of his commitment to using repeated forms to explore space and how it can be used

In 2019 the acclaimed artist Lorna Simpson opened her first exhibition with Hauser & Wirth with a suite of new, large-scale paintings inspired by the arctic landscape and theories on color, race and identity.

Former aerospace engineer Fred Eversley is an important exponent of postwar contemporary American art. Untitled (parabolic lens), (1969) (2018) is a product of Eversley’s fascination with color and numerous meditations on the optical mechanics of human sight. Eversley’s obsession with the parabola recalls the parabolic curve as the only shape that is able to direct all energy to a single focal point.

Here Bradford has incorporated half-hidden networks of nylon rope, which fracture the field of white and red paint, occasionally revealing the collaged paper beneath. Bradford is acclaimed for this unique artistic language, known as “social abstraction” rooted in his experiences growing up in Los Angeles.

Our clients have long been interested in media and advertising and were drawn to the work of Richard Prince, an artist known for pioneering the use of appropriated imagery. After a long search, we secured this piece which combines the Joke series and Prince’s iconic Marlborough Cowboy imagery with the elegant collaged background.

Since the 1970s, Richard Prince has been dismantling and questioning American archetypes and institutions through an art style characterized by the appropriation of various imagery. His continuing obsession with the American cowboy prototype and its proximity to the culture of Western masculinity reveals itself in Untitled (2020). Prince layers a joke about “two men at a bar” over highly saturated cowboy imagery, referring to the artist’s Jokes series that speaks to white, middle-class America’s sexual fantasies and frustrations in the 80s.

Scandinavian artist, Olafur Eliasson, brings a refined minimalism and environmental justice to his art practice.

One of our favorite series is his Paper Drops works, where images of photographic paper are folded back on itself in a teardrop shape.

This work by Mary Weatherford goes beyond the typical two-dimensional abstract paintings by adding a slash of her signature neon across the front of canvas.

Best known for his ongoing investigation of perspective, Grotjahn combines gesture and geometry reflecting a range of art-historical influences from Russian Constructivism to Op Art.

Yoshitomo Nara’s endearing paintings, drawings, and sculptures are inspired by intimate encounters with people and the environment, and are often characterized by both thoughtful introspection and meditation on global socio-political issues. The delightful Miss. Smooth-Flat (2021) demonstrates Nara’s proficiency in conveying human expression using a diverse range of materials. Indeed, it transcends the classic two-dimensionality of Japanese painting traditions while preserving the beloved caricaturesque style of the Neo-pop movement with which Nara aligns himself.

Gerhard Richter’s stylistic versatility drove him to experiment with the medium of watercolor at the midpoint of his career. The richness of Untitled (10.3.91) (1991) was achieved through the meticulous layering of moderately diluted watercolor, culminating in a remarkable exploration of the opacity and saturation of paint.

A pivotal figure in German contemporary art, Gerhard Richter is lauded for his innovative and prolific investigations in painting. His multimedia output has spanned the likes of photorealism, abstract painting, photography, and even glass sculpture.