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Mandy El-Sayegh (pronounced el-say-yegg) is a Malaysian-born London-based artist, who forges her layered paintings from pages of the Financial Times and mundane advertisements to Arabic calligraphy. Net-Grid (notice) (2020) belongs to El-Sayegh’s series of Net–Grid paintings, which recall raised-relief maps. The surfaces of the Net-Grid paintings ripple and buckle beneath the weight of their matter – layers of glue and paint, studio rags, newspapers, and printed images from Theresa May to victims of unknown disasters to mundane advertisements.

Paris-based artist Liam Everett’s abstract, mixed-media paintings and sculptures explore the process of art making as he builds, shapes and manipulates raw materials into work abundant with human traces. The construction of Untitled (witches butter) (2019) involved layering oil and acrylic on canvas and subsequently repeatedly stripping and sanding the surface of the work. Inspired by dance, theater, and philosophy, the smears and smudges in his works on panel and fabric reflect Everett’s elaborate, labor-intensive method.